by Charmaine Ross
I like writing characters in close forced proximity. What do I mean by that? Well, for example the male and female characters might be cops and they are sent on a stakeout together. Something goes wrong and the stakeout isn’t just for two hours, it’s for two weeks.
OR a boss asks his PA to accompany him on a conference, but the conference is extended into emergency meetings with suppliers and he needs her to stay with him. Two eyes and ears are better than one.
OR she is moving towns. He’s the head of a furniture removal company and has to take on this job as one as his employees broken his leg in a skiing accident, another has to take his wife to hospital because she’s giving birth, one woke up with a hangover the size of New South Wales (plus he’s still over the…
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