by Kate Cuthbert
September 27th marked the beginning of Banned Book Week in the US, a week that spotlights the many, many books that have been challenged over the years for being offensive, politically, racially, sexually, or just about any other -ally that you can think of.
This is an issue that’s close to many writers, readers, and publishing professionals’ hearts – censorship has long, insidious fingers that can affect minds, thoughts, careers, communities, and societies.
This year it’s especially close to home as we reel from the banning of Ted Dawe’s Into the River in New Zealand for highly offensive language and gratuitous sexual content.
The story follows a young Maori boy who leaves an isolated community to attend an elite Auckland boarding school. The main character,Te Arepa Santos, struggles as he deals with his peers, his own journey into adulthood, intimacy, sex, drugs, racism, and death.
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